Showing posts with label bouldering. Show all posts
Showing posts with label bouldering. Show all posts

Setting Easy for Summer Sweatfest Wasn't So Easy!

I recently had the diverting experience of assisting the setting crew for the initial competition in this year’s Summer Sweat Fest bouldering series. The opener was held at The Rock Oasis, my home gym.

My first time setting problems for a bouldering comp!

I learned that setting for a competition—even a casual one like Sweat Fest—is a lot of work, and harder than I imagined. Comp routesetters: you have my newfound respect!

Often when you read (or watch videos) about cool boulder problems that people have made, the focus is on hard movement through advanced sequences—so I thought I’d write a somewhat unstructured piece regarding the other end of things, and relate my first-time personal experience of trying to set easier and moderate problems, in the context of a comp.

The head-setters were Adam Tataryn and Adrian Das (both professional setters), and we were joined by Dave Machado (another ‘recreational’ setter like myself). The way it shook out, I wound up authoring a modest chunk of the beginner and intermediate grade problems, which freed the other fellows to focus primarily on the Open category and advanced scramble-format problems.

An Emphasis on Fun
It’s important to note that with Sweat Fest the emphasis is on a friendly bouldering series, with beginners and youth encouraged to participate. Other themes would be low cost, informality, and the general aim of fun.

There were 26 scramble-format problems, numbered in roughly ascending difficulty (e.g. 1 was the easiest, 2 a little harder, etc.) (There were also 5 Open problems each for Men and Women).

The challenge was, how do you set problems which beginners find stimulating, but without being frustrating or too difficult? And at the same time you can’t just let the intermediate climbers cakewalk through your problems either.

It was a learning experience for me—it was my first time ever setting for a comp. The most apparent lesson is that I’m still figuring out how to properly set at a given grade.

My problems tend to favour movements that I personally find entertaining, or that I’m trying to improve on. I had to continually remind myself (and occasionally be reminded) that I was setting for newer, moderately skilled climbers, and youth.

This meant: You can’t make moves too hard. You can’t make moves too long or out of reach. You have to take into account a lack of technique. You have to make it extra safe.

Following are a few of the problems I set (bear in mind this is only a small subset of the comp). I’ll briefly discuss my intent versus how it turned out.

#8 - Yellow (click images to view larger)
This short V1 requires calm, deliberate movement. Despite the brevity, the volumes give the route a curiously exposed feeling; the hand holds are tolerable, but not overly good, pinches that you have to negotiate with.

We turned the start and middle holds so they were easier to use. I wanted to create a longer problem with more moves, but at that skill level I didn’t want the finish to be over either of the two volumes, in case of a fall. So it wound up being quite brief. Perhaps I could have put a couple of easy traverse moves leftwards at the top.

#10 - Purple
I was happiest with #10. It has two distinct playful movements. The first involves stepping up onto the red volume and balancing on it with no hands. The second move is leaning left from that balanced position until you 'fall' onto the next hold. Both involve the climber doing something coordinated, a bit out of the regular.

The start hold (on the green volume) was added to prevent the climber from skipping the above sequence and grabbing the left hold immediately. Instead, most people will step up on the red volume from the right side, leading into the balance position. I was delighted to watch people get on, reach out left, then realize they had to leave the safety of the start hold and balance on the red volume, exactly the way I had imagined it.

I added two left side footholds for the 2nd half. Originally I wanted to make the climber smear up but it proved too challenging for the grade range we wanted to use it in.

#5 - Green
This simple problem caused me headaches, believe it or not. I wanted to set an easy (V0) overhanging problem. The challenge is that most beginners are not strong enough to do much on an overhang.

I put up the biggest, juggiest holds I could find — and it was still too hard. Then we substituted in the big hold in the middle, adjusted a few angles to be smoother, and that solved it; the problem became doable for novices.

I also couldn’t make the problem too lengthy, again because most beginners haven’t the endurance to deal with an extended overhang. So the problem peters out after not going anywhere exciting. If it were twice as long, it would make for a nice warmup.

During the comp I watched this problem specifically, and was gratified to see climbers on it, sometimes falling off, but ultimately mostly completing it.

#19 - Yellow (green tape)
The blue volume is the highlight of this V3. (Though if you’re short like me you have to fight with the opposing vertical holds, also some good work. I should have moved the start hold further right to force this for everyone)

You have to wrestle with the volume to get to the end. Adrian and Adam removed a foothold I originally placed under the volume. It was an excellent tweak, and really forces the climber to deal with the volume. Thematically the end is like the reverse direction of the Women’s Open problem (pink holds) shown in the same photo.

The tail end of #16 - Grey/Black (beginning not shown)
#16 (about a V3) has a pleasurable sequence at the end where you have to use the (left) triangle volume in a couple of different ways. Approaching from the left, you pull on the spine of the volume as if it was a big hold, moving your feet from the small knob below it (in the yellow paint) to the next foothold out and up to the right. Then you move forcefully upwards into a double gaston, which you must maintain as you shift your body right in order to high-step the left foot onto the side of the volume. After establishing both feet on the side, launch for the finish.

I had originally made the top of the wall the end, but then we moved it down and used a nice soft finishing hold.

#20 - Blue
This one qualitatively turned out very different from what I intended! I wanted to set an elegant, somewhat beta-intensive problem where the climber has to thoughtfully push and pull the corner, in order to get around it.

Instead it climbs very messy and a tad sketchy. The lower hold on the corner is slick and slippery, a real pain to deal with first as a handhold going left around the corner, and then a couple moves later as a foothold when you come back right for the finish.

An ugly problem, but it served its purpose.

Final Thoughts
In general, I had a tough time relaxing and ‘setting loose’. I felt overly self-conscious about balancing the tension of keeping the grading consistent, versus spicing things up. I had to tone down several of the problems because I would lose sight of the audience who would be climbing them. And the pressure of setting in quantity within a given timeframe unnerved me. Although I’m happy with the overall end results, I felt that a couple of my problems (not shown) perhaps leaned towards the mundane, and in that sense I was not entirely satisfied with the expression of my creativity. I was glad that the other setters were there to worry about ‘the big picture’ of where problems fit into the context of the overall competition.

The comp turned out great—there was a solid turnout, and people enjoyed themselves. Crucially (to me, at least), people got on my problems! And within the more-modestly-skilled set of competitors, the problems didn’t all get sent on the first try, nor did they frustrate and bedevil everyone. I saw smiles!

So it was a decent mix.

I want climbers to get something out of the problems, to feel like they’ve accomplished something at the end, that they’ve had to apply their mind and bodies to solve the puzzle.

Big thanks to The Rock Oasis and Karen McGilvray for the unexpected invitation to participate—I had a fantastic time. Thanks to Adam and Adrian for their thoughtful advice and direction, their trust and patience with my setting and questions, and to Don Williams and Dave for forerunning with me. I enjoyed myself.

The problems from the comp are all still up at Oasis, so by all means go and check them out! They’re a lot of fun.

Other Climbing Posts I’ve Written (recent or otherwise)
Hub Climbing in Markham: a great bouldering experience
What is it like to Judge an IFSC Bouldering World Cup?
Why is Tree Climbing Illegal in Toronto?
The Secret Life of Iyma Lamarche, Rock Climber
Hurrah For The Ontario Access Coalition

Hub Climbing in Markham: a great bouldering experience

Yours truly on the Dragon, an
overhanging feature above a foam pit
I’m feeling thrashed today.

Yesterday I had the pleasure — and I use that word deliberately — of attending the opening of Hub Climbing, purportedly offering the largest amount of indoor bouldering terrain in Canada.

My friend Yumi and I had a blast. There’s simply a lot of bouldering available, at all difficulty levels — so whether you’re a beginner, intermediate, or advanced climber you’ll find plenty to engage you.

I was singularly impressed by the facility. Maybe it was the brand new holds, the shiny Walltopia surface, the reassuring thick double padding, or the bright lighting, but I think the Hub is a fantastic new addition for the local climbing community in the GTA area.

One wall was reserved for 'World Cup'-style comp problems.
Of the 6, I was able to top these three. I could only do the ‘intermediate’
versions of 2 of the remaining 3. Need to get stronger! 

The sheer amount of wall surface available for bouldering is lovely. A friend of mine pointed out that for shorter walls & bouldering, instead of spending money building up, you’re spending the money on building out. It allows the gym to set problems by colour (instead of the more common taping), which gives a very clean and aesthetic presentation.

Setting by colour: clean presentation. There’s more than 1 arch at the Hub!
Photo via The Hub Facebook page.

I have ambivalent feelings about this; taping gives you the widest universe of holds to choose from, and allows for density, but invariably looks messy; whereas setting by colour looks great, but then your problems tend to be thematically driven by the sets of holds that are acquired, i.e. a sloper set, a pinch set, etc.

Variety for everyone. These photos don’t really capture the scope of the place

I enjoyed the topping out. A couple of the finishes felt a touch committing, but it was always on an advanced problem, so if you got to that point you undoubtedly had the skills to properly assess the situation. One of the top out areas has a slide for you to get back to ground level. It was an amusing touch, though I’d still prefer a downclimb option.

The grading was... inconsistent. But it’s completely unfair to make judgments on opening day; an assessment six months from now, once they’ve established a flow, will give a better idea of the grading. More importantly, the setting was fun, independent of the ratings.

As a boulderer, I don’t think I’d bother bringing a harness to do routes at the Hub, if only because of the wealth of bouldering available. The route section seems more set up for beginners and to cycle through birthday parties, schoolgroups, and corporate events—which is nice because then you kind of have a subtle distinction in areas and don’t have to worry as much about keeping watch for complete beginners in your fall zone. Additional areas for yoga and weight training are planned but haven’t been built out yet.

Early birds lining up for the opening. Yes that’s
me being an enthusiastic goof at the back.
Photo via The Hub Instagram account.

I had a chance to briefly speak to each of the three owners, Yoav, Rob and Steven. I also met Max Summerlee the gym GM & head routesetter. Getting the gym built was a lengthy process of location selection, design planning, engineering, permit wrangling, and logistics, and you could tell from their faces it has been a rewarding if tiring journey to get to this juncture. They should be commended on their accomplishment.

If you live in downtown Toronto and you don’t have a car, it’s a serious trek to get there. You’ll want to budget a couple of hours.

We took the subway to Victoria Park station, the 24 Victoria Park bus up to Victoria Park and Steeles, and then leisurely cycled north up Woodbine for about twenty five minutes until we arrived at the gym, just past Highway 7. At some point I’ll try going to Finch station and using the 53 Steeles East bus instead.

Lastly, for those of you who care about this sort of thing, the washrooms and changerooms were compact but clean.

Congratulations to the Hub for their amazing, well-organized launch — for a day one opening, the attention to detail was superb. Even though it’s too far for me to attend regularly, I’m excited about the opening of what promises to be an excellent bouldering facility. I strongly recommend checking it out; it’s absolutely worth a visit.

Hub Climbing is located at 165 Macintosh Drive in Markham.

ps. Thanks to Max for getting us into an unused slot on the popular Dragon feature! That brought a huge smile to our faces.

What is it like to Judge an IFSC Bouldering World Cup?

Ready to judge at the 2014
Toronto IFSC Bouldering
World Cup. Boy do I need a haircut!
This weekend I had the privilege of serving on the judging team for the 2014 Toronto IFSC Bouldering World Cup, held at Gravity Climbing Gym in Hamilton. You can occasionally glimpse me in the footage!

I’ve judged at a number of local Tour de Bloc, Summer Sweatfest, and OCF Youth bouldering competitions, so I’ve got reasonable confidence in my judging ability—but nevertheless leading up to the event I felt nervous.

What if I made a mistake and embarrassed my community? Literally some of the best competition climbers in the world were in attendance. Ideally, you avoid making any obviously wrong calls—yet it can happen that you make the right call, and it still generates a controversy.

The night before, the judging team met with IFSC Jury President Johannes Altner, Head Judge Paul Leday and IFSC Technical Rep Graeme Alderson. We reviewed the rules and format for the event, and the expectations for our performance. Every bouldering problem had 2 judges, so there was always a second pair of eyes watching each competitor in case the first person missed something.

My official Judge’s badge: I’m legit!

I was assigned to judge Men’s 2 during the qualifiers and Men’s 1 for the semi-finals. It was thrilling to be able to witness some of the world’s elite climbers working on a problem right in front of me.

Technically as officials we’re not supposed to cheer for the athletes, but it was kind of difficult not to feel the enthusiasm of the raucous crowd watching behind me.

Rustam Gelmanov shows his mettle: an anecdote
Part of the reward for serving as a judge is that you get an up close view of the athletes. Allow me to digress briefly:

Rustam Gelmanov eyes
Semi Finals Problem 1
I got a peek into the mental resilience of Rustam Gelmanov from Russia, during the semi-finals round. I’ve always been astonished by his ability; his climbing often features totally different movements that are enabled by his incredible strength.

However, for whatever reason he was shut down by the first problem, which I was judging. Every other semi-finalist was able to make at least the bonus hold, so I could hardly believe my eyes when Gelmanov kept trying and failing to make the first move on it.

I could tell he was frustrated. A lot of people would be thrown off by this initial defeat, and would have a disastrous performance after. Not being able to complete the first problem put huge pressure on him.

And yet — what did he do next? He reeled off tops on the three remaining semi-final problems, and proceeded to Finals. Truly impressive, and perhaps something to learn from for my own climbing.

No serious incidents; one appeal
As it turned out, my problems were easy to officiate — clear starts, straightforward bonus holds, and we didn’t experience any time-completion issues.

On Semi-Finals Women’s 4, my fellow arbiter Rolly Magno made a call that was appealed—the outcome of which would have affected who made it into Finals.

Rolly ruled that Anna Stöhr—last year’s defending World Cup bouldering champion—had not achieved the bonus on the problem. The Austrian team appealed that decision, and upon video review, lost.  The appeal is mentioned right at the end of the semi-finals commentary.

Defending Champion Anna Stöhr prepares to climb

Watch Stöhr’s attempt and assess it for yourself. She touches the bonus, but does not control it. Per the IFSC rules,
The Bonus Hold shall be considered as “controlled” where a competitor has made use of the hold to achieve a stable or controlled position.
If Stöhr had achieved the bonus, she would have made it into Finals. As it turned out she didn’t, and so 16 year-old Julija Kruder from Slovenia got to compete in her first ever World Cup Final. And Rolly was fairly pleased with himself.

A memorable show
It was fantastic to see so many top-level boulderers in person. Shauna Coxsey! Sean McColl! Juliane Wurm! Alex Puccio! Jan Hojer! Rustam Gelmanov! Kilian Fischhuber! etc.

Congratulations to Akiyo Noguchi and Guillaume Glairon Mondet on their hard-earned victories (and to Sean McColl for his bronze medal finish).

I hope that they enjoyed their time here and will return to compete again.

It was also so exciting and filled us with pride to witness the Canadian team climbing with everything they had. You guys are amazing! Lucas Uchida, we’re watching you...

Thanks very much to Lorraine Winger, the Volunteer Coordinator; Luigi Montilla, the Bouldering Canada Director; and Julia Bonnell. I sincerely appreciated this opportunity to participate. Organizing and executing a complex event at this level and scope requires enormous effort and skill; everyone involved should be pleased with the outcome.

Thanks to Gravity, my fellow volunteers, and the event sponsors. And thanks to all the climbers for putting on such a memorable show!

Results & Video
Full results: Women | Men. Gripped recap.

Semi-Finals: (climbing starts about 9 minutes in)


Link

Finals (climbing starts about 30 minutes in):

Link

Bonus: Chief Routesetter Chris Danielson discusses the Finals problems
Link


Other Climbing Posts I’ve written
IFSC Bouldering World Cup in Hamilton a success (recap from last year)
Why is Tree Climbing Illegal in Toronto?
The Secret Life of Iyma Lamarche, Rock Climber
Hurrah For The Ontario Access Coalition
Interview with Rock Oasis' Founder and President


IFSC Bouldering World Cup in Hamilton a success

Yesterday, I attended the semi-finals and finals of the IFSC Bouldering World Cup in Hamilton. Hearty congratulations to everyone involved in the organization and execution of this event!

Anna Stöhr on Women’s Finals 1, en route to her eventual victory

It was an invigorating experience to witness some of the world’s best climbers first hand, in action. As a climber, this level of performance is something that you dream of and secretly (if impossibly) aspire towards.



It was an Austrian-topped podium as Kilian Fischhuber took the Mens gold medal, while Anna Stöhr was the winner for the Women. While the hometown crowd cheered wildly for Sean McColl, it just wasn’t his day for victory.

I’d like to express my sincere admiration of all of the inspiring competitors over the weekend (and especially of Stacey Weldon, Kerry Briggs, Elise Sethna, Miles Adamson, Sean McColl, and the other participating Canadian team members).



Full results: Men. Women. The Hamilton Spectator’s recap. UK Climbing’s recap.

I sincerely hope the future holds more World Cups hosted in Canada. This particular competition was held at the 'new' Gravity Climbing Gym in Hamilton. The crowd was filled with familiar faces whom I’ve met at comps and gyms across Ontario and Quebec, and I’m certain they shared my enthusiasm.

Full replays on YouTube of:
Check out these amazing photos by Ruby Photo Studio (yay Aidas!), and this set by Bonuel Photography from the competition.

Dustin Curtis writes his perspective as one of the setters for the comp.

What a great event. Congratulations again to the participants, organizers, and supporters.

Thanks to Kate Smith for the invitation!

Other Climbing Posts of Interest
Why is Tree Climbing Illegal in Toronto?
The Secret Life of Iyma Lamarche, Rock Climber
Hurrah For The Ontario Access Coalition
Bring a Bouldering World Cup to Toronto
Interview with Rock Oasis' Founder and President


Hurrah For The Ontario Access Coalition

The other day at the gym, someone asked me about the meaning of the Ontario Access Coalition sticker on my water bottle.

I laughed, and sheepishly told them that, although I’ve been a member in the past, I don’t have anything to do with the OAC in terms of participation. But I’m appreciative that the OAC exists, generally -- and here’s why...

What does the Ontario Access Coalition do?

The OAC works “to keep [Ontario] climbing and bouldering areas open in an environmentally responsible manner.”

Which is a noble way of saying, it’s a volunteer not-for-profit that deals with the thorny world of access issues.

Somebody has to put in the interminable, tedious hours to advocate, communicate, and hand-hold with other climbers, parks management, government agencies, private land-owners, conservation authorities, and other stakeholders -- from the perspective of climbers.

Few individuals have the time, resources -- or persistence -- to sustain that sort of activity. Even mentioning it makes my eyes glaze over. Plus, climbers can be a fractious lot. Having a patient group of moderately organized volunteers -- with a mandate that most people can agree on -- provides continuity, and a single voice in those discussions, which literally take place over the course of years and never end.

To me, as a climber, the value is clear. I’m thankful that someone else is doing that work, to enable access for all of us -- even when I’m not totally in agreement with everything that they’re doing, or overly impressed with the glacial pace of progress on certain issues.

Examples of Ontario Access Coalition wins

Did you know that bouldering in Niagara Glen was nearly banned in 2009? Over the following two year period, the OAC worked with the Niagara Parks Commission to formally legitimize bouldering in the area in the context of a fee and waiver system. Sure, a lot of people I know weren’t happy about the implementation of fees -- but I also know they were grateful that the activity wasn’t banned altogether.

There’s a similar story with respect to the restoration of bouldering access at Halfway Log Dump -- a difficult, bureaucratic process that played out over seven years with Parks Canada. Without the intervention of the OAC, climbers might not have legal access to those (and other) areas.

In addition to that work, the OAC also provides crag statuses, coordinates area clean-up days, and holds occasional talks. All good stuff for the community.

The OAC Code of Ethics

If you’re visiting Ontario or otherwise climbing in the region, these are the ethics the OAC promotes:
  • Aspire to climb and boulder without leaving a trace
  • Maintain a low profile
  • Use existing trails
  • Dispose of human waste properly
  • Understand and respect historical ethics and restrictions [cough. Oh, Ontario!]
  • Respect the rules
  • Park and camp only in designated areas
  • Climb and boulder safely
  • Increase climber awareness of key plant species to be protected

Find out more about the OAC

Some links to check out:
Twitter, Facebook, Google+, Ontario Access Coalition website

    It’s a $5 donation for a lifetime individual membership. Be glad someone is on our side, doing the boring dirty work. If you climb outside in Ontario, you ought to sign up -- if only for the climbing karma!

    Interview with Iyma Lamarche, Part Two!

    Welcome to the second half of my interview with Iyma Lamarche, Canadian rock climber. (To read the first half, click here. To listen to our conversation, scroll to the bottom!) Enjoy!

    Iyma about to send at the 2012 Canadian Bouldering Championship
    Photo: Nic Charron

    ------------------------------------------------------------------------------------

    Interview with Iyma, Part Two

    Do you have a particular technique, or strategy for focusing? How do you deal with the pressure of the moment?

    Generally I listen to a lot of music and... actually I do something recently that I saw -- I don’t even know if this is what he was doing, but when I was at Bouldering Nationals in Montreal this past year... I saw Mark Button sitting in his chair, and he had his eyes closed, and my dad was like, ‘look at him, he’s not even moving!’

    Mark Button has posture. (TdB Eastern Regionals @ Altitude)
    Photo: Nathan Ng

    I looked over and he’s sitting in his chair, and he looked like he was sitting on the beach. It was ridiculous. And he was completely still, and his breathing was so slow, and it was beautiful. And he’s the most relaxed climber ever, you watch him climb and it looks like he’s just playing around. It’s ridiculous.

    So I actually took that, and I tried it at Youth Nationals. I just sat, and I literally -- I know people say, ‘concentrate on your breathing’ and it’s so -- I’m always like, ‘ok, I don’t understand’, and then I did it.

    Iyma practicing her relaxation prior to
    W3 Finals, TdB @ Coyote Feb '12
    Photo: Nathan Ng
    I was trying to do what it looked like Mark was doing -- I don’t even know if that’s he was doing -- but I sat, and I breathed really, really deeply.

    I tried to breathe as slow as I possibly could, to take the air in as slowly as I could, and I have never been as calm as I was, after I did that. So from then on... my calming-down focusing thing has been to sit down, put my music in my ears, and breathe really deeply.

    And climbing. The warmup is essential for me, because it also gets rid of my nerves. So I just do a lot of traversing. If I’m feeling a little jittery, and I can’t sit still.

    What’s the next big event that you’re going to be training for?

    A wrist injury at Joe’s last year
    Photo: Aaron Eden
    At the moment -- well, Atlanta was my ‘finale’ for the year, for last year, and then I’ve been training in preparation for the beginning of the Youth season, and Tour de Bloc. The Tour de Bloc at Joe’s is my first comp for the year. We’ll see how that goes. Last year I injured my wrist at it. Hopefully it goes better than that one!

    You still made finals in that one, didn’t you?

    Oh -- I injured it in finals, so hopefully it goes better. I’ve just been preparing for the beginning of this season. At this time of year usually is where I get my training peak.

    Kicking off TdB season 10
    Iyma made finals, placed 2nd at Joe’s
    Photo: Aidas Odonelis
    So I get to my best just right before this comp, and then it kind of levels out. And then I peak again at internationals. At the moment, I’m just gearing towards getting better.

    [N: This year she wound up making finals again]

    And then, Tour de Bloc and all that regular stuff, and then the next kind of big one will be Tour de Bloc Nationals in May or whatever.

    Do you ever find that there’s a tension between the enjoyment of climbing and the competition aspect? Because almost all of us climb because, you know, we love it --

    Yes.

    -- We enjoy the physicality of it, we enjoy the beauty of the motion, the adrenaline of going higher and not falling off, the satisfaction of figuring out a problem or sequence -- But at a comp, there’s this other dimension involved, the competition --

    Yes! Absolutely.

    Do you find there’s a tension there -- how do you reconcile that?

    Enjoying the beauty of climbing
    2011 European Youth Championship, Austria
    Photo: Pam Eveleigh
    The reason why competition climbing works for me, is that I’m not very competitive with other people. I don’t hold a lot of... tension, or threat towards other competitors. So in terms of my relationship with other competitors at comps, that’s pretty neutral. Where it gets --

    -- You don’t have any rivalries?

    Not really, no, not at all! Maybe other people have rivalries with me! But I’m pretty calm.

    Like when I climb, I’m always trying to beat Pia [Graham, another youth competitor].

    [Laughter] That’s hilarious.

    If I have an amazing day and she has a crappy one, I can just barely squeak in...

    [laughter]

    I just push myself with other people. If I see someone doing something really awesome, then I think maybe it’s going to be a bit harder for me. It motivates me. Where I get my issue and my competitive edge, where I can get a little bit stressed out and forget about why I’m there, is when I pressure myself or self-doubt...

    For me the line in competition -- it’s more about just myself, self-talk, and what I expect from myself, my own expectations.

    Climbing: a personal experience
    Photo: Aaron Eden

    That echoes -- I read a recent post from Elise Sethna; she commented the same thing: she finished in a certain place, but what governed whether she was happy or not was how she thought she did --

    Exactly.

    Like, never mind the rankings -- did she do the absolute best she could do on that day?

    I think that’s a really important one actually, it’s just to be happy with your climbing. I mean, focusing on results is pretty much useless. If you climb your best, and you’re super strong then you’re gonna win.

    It’s not, you can’t really... you can’t judge that because someone might have an insanely good day, you might have a bad day -- it’s hard with competitions like that, because climbing is such an individual sport, and so self-governed --

    -- Personal --

    It’s super-personal, and people take it personally a lot of the time, when they don’t beat people, or don’t feel like they did their best. Which is where that kind of competitive edge comes in, and I think that it’s really important to keep that out of there, and focus on your own performance, and if you think you did your best --

    For me, the only competitive edge comes when I feel like I haven’t done my best, or if I’m putting pressure on myself.

    [LINK: TdB Local @ True North, Women’s Finals. Footage courtesy Matthew Tee]


    Do you pressure yourself to succeed?


    The pressure obviously increases, as the competition increases. Or as my focus on a particular competition increases. I try to keep the pressure off unless, unless I’ve been training for something all summer, or if, you know, something like that, I definitely put pressure on myself. I try to make sure that that isn’t going to stop me from succeeding. I place a lot of importance on things, but I don’t necessarily scare myself off the wall.

    Yeah. I put pressure on myself, but I think it’s positive.

    Do you think that that is necessary in an elite athlete? I read an Angie Payne interview a while back, where she was describing a near obsessive training season, where she was compelled to send this particular problem, some v13 or whatever, and she basically spent a month doing this thing again and again and again, and it just seemed so painful. As an outsider it seemed like, ‘are you actually enjoying that?’

    I was wondering, how do you --

    It takes a certain type of person to enjoy that. It comes a lot from who you are, and it comes a lot from... competing, to me, has gone past -- I know people say ‘all that matters is if you had fun’, but for me, I know I’m going to have fun either way, it’s not about that -- it’s about the competition, and it’s about pushing and it’s about sending the route, and it’s about that.

    It’s competitive. You’re there to win, you’re there to qualify, whatever you’re there to do -- you have goals and you’re there to achieve them. It goes past... obviously Angie’s a motivated person, she’s done some crazy stuff. It goes past the having fun part. I think it’s a given. You’re having fun, but the fun comes sometimes from pushing yourself. It’s necessary. I think people on the outside definitely look at it as, ‘why would you do that to yourself?’, but for me inside, it’s because -- I love it.

    Photo: Dennis Barnes
    Do you find it odd cheering for the other competitors? Because you never want someone to fall off, but at the same time, you have to do more in less attempts...

    I think I’ve gotten to a point where I really can just appreciate other people for what they do. You know, they’re not you, and you did all you could to be there. So I think that the cheering part has gotten, like, I just cheer for everyone. Because there’s really no point in wishing for them to fall, because they’re going to do whatever they’re going to do, and whether or not that means kicking you out of finals or beating you or winning, like, that’s their own thing. You already had a chance, or maybe you haven’t had a chance yet.

    You use that as motivation, or something that makes you depressed -- it’s your choice. It just depends on how you decide to look at that person, whether or not you look at them as a threat or as a competitor or as a teammate, like a peer... I try to look at all my competitors as peers, or as people who I look up to, as role models.

    I cheer for everyone.

    I want to shift to women and climbing.

    Yes.

    In many ways, it’s still a male-dominated sport. Are you conscious of being a role model for other female climbers -- younger and older?

    Well -- I have three little sisters. So I’m definitely conscious of being a female in the sport. But I think that part of the way to break that barrier, and to break that kind of ‘men-only’ trend, is to not even really acknowledge the fact, and just, you know, participate with both genders, and to get women into it, as much as you get men into it.

    “I’m a woman and I’m happy about that.”
    Photo: Dennis Barnes

    Because I think that to single out women, and say ‘women you need to get involved’, or ‘we are the minority’ is to encourage it, and I think that an important thing is for all the women and girls that are interested in the sport to just pursue it, and not take that as a threat, or think, ‘oh, maybe I shouldn’t, there’s only men’.

    I go on climbing trips with all guys all the time! It’s mostly just guys, but that’s fine; I’m a woman and I’m happy about that, but I’m not going to look at it as like, ‘oh I feel so threatened because I’m the only female.’ I mean, women are getting in there, and it’s happening. It’s not like it’s not going to happen.

    This might be stupid but -- I’m going to ask anyway --

    Yes --

    2011 World Youth Championships
    Photo: Pam Eveleigh
    Do guys give you a hard time at the gym -- and then back off when they realize you’re a better climber than them?

    Oh, all the time. I think the worst is actually... It actually does really affect -- or at least it did -- not my self-esteem, but I would always kind of notice it, and it’s frustrating, is when, you know, pfft, guys, random guys, will come up to our finals problems.

    And the women’s finals problems are always the first ones that the guys try. And they’re always, ‘psht, can’t be that hard’, and whatever, and they fall. Or they do it, and that makes it even worse. But then they’re like, ‘oh, it’s not that hard, the girls did it’.

    And it’s like -- you know, come on. We try really hard to be here. And being a woman in climbing doesn’t mean that you’re weaker in climbing. And it definitely doesn’t mean that your problems are easier in climbing. I mean, even the guys who look at me in the gym, same sort of thing at my training, like ‘pssht, she can’t be that good’ -- that’s definitely a frustrating aspect of it.

    I think that’s the most frustrating thing about being a woman in climbing, those guys who... expect it to be ‘not as hard’ because you’re a girl. I think that is definitely something that needs to change. And it will change as the sport matures. But it’s frustrating.

    Do you get a lot of unwanted male attention at the gym?

    Sometimes! I think it’s sometimes different for me, because my dad owns the gym and I’m like, ‘hey dad’, and everyone kind of backs off, but when he’s not there... yeah. I mean, guys are weird that way. But boys will be boys, and that kind of thing happens. It can be frustrating, because it can be a bit... not a distraction, because I’m not necessarily entertaining it, but just like, c’mon, I’m trying to do something here. I’m working hard. Like, get out!

    So it’s hard.

    Pssht. She can’t be that good.
    (SSF ‘12 Women’s Finals, en route to victory)
    Photo: Nathan Ng

    More seriously, do you think that women climb differently than men, or rather learn to climb differently than men?

    I have noticed I’m not a very feminine-styled climber. I don’t have the same kind of physical traits as a lot of women do. It has a lot to do with our own centre of gravity and our own body shape. Women use their hips a lot more, and are definitely a bit more technical, and generally it seems that women are better at balancy styles -- and not necessarily as strong in the upper body department.

    But then you have people like Alex Puccio, who are like, crazy burly. In general, yeah, women are stronger in terms of the technical, more balancy aspects of climbing. That just comes with how women are built.

    Wackiness in the cave
    Photo: Andrew McBurney

    For me, it’s not like that. I’m better in super-overhanging areas with very shouldery moves. Because my upper body is enormously more strong than my lower body -- or than my hips, at least. It depends on the person, but generally I think women climb differently than men, in what they’re better at. Not to say that women couldn’t be good at the same problems as men -- but yeah, I think there’s a difference for sure.

    [N: of tangential interest: this article by Thomasina Pidgeon on competition]

    Next topic -- the future. Lead climbing is on the shortlist for new sports for the 2020 Olympics. The IFSC is making a pitch and they’re making a decision next year. Now... if your developmental trend continues... AND they actually get on the list... it’s not entirely implausible to imagine you, at the peak of your physical prime, representing Canada. There’s an outside chance of that, anyway.

    Is that something you would aspire to? How would you feel about participating?

    Since I’ve been really small, I’ve really admired the Olympics. I’ve looked up to the athletes. I’ve always wanted to go since I was very small. I’ve always wanted to go -- never knew what sport, I never knew what I would do, and now that climbing... there’s a possibility that it might make it into the Olympics -- that’s fantastic for me.

    I understand where people are coming from with the whole, ‘climbing isn’t a sport for the Olympics’ or ‘it’s not commercial enough’ or ‘climbing is too much of an individual journey in itself’ -- those are all things that I appreciate about climbing -- but I also think that it would do some fantastic things for the sport. And I don’t think it would change necessarily the nature of the sport.

    Citius, Altius, Fortius...

    I don’t think it would change the spirituality about the sport. I think that people look at it differently, and maybe would look at it differently if it were in the Olympics -- which could be negative or positive. For me at least, it would be pretty fantastic.

    It would have a positive impact?

    There are both harmful and positive things that could come out of the sport becoming more popular. It’s pretty selfish, but in terms of my own wishes, and my own -- what I’ve aspired to -- I think it would be awesome!

    What do you think that we have to do -- Canada -- to get to the next level of accomplishment? If you look at a country like, France or something, they have a fairly large --

    Austria -- it’s like the national sport!

    I think a) it has a lot to do with popularity, b) our country is pretty huge, and it’s spread apart -- the two general climbing communities of the East and West. For Canada to move forward, in competition climbing, especially, we need to get the Prairies a lot more involved -- if they want to, you know -- but I definitely think that we need to involve more of the country as a whole. And look at all of us.

    There’s a bit of separation between the East and the West, and I don’t necessarily think it’s positive. That needs to change -- there’s too big of a separation. We don’t look at each other as equals. Which is unfortunate, and I wish it were different.

    The East is younger at the sport -- in terms of competition climbing, which is sad, but that’s how it works, and I think that if we were all just a bit more accepting of the fact that we’re separated by a lot of land, that doesn’t necessarily mean that we have to be separated by beliefs, and the way that we climb, and who we are as people.

    We just need to connect a little bit more, and get more people involved, and be more positive, and not have any kind of disagreements, or hatred, or competitiveness towards each other.

    East and West on Team Canada in 2010
    Photo: Gail Adamson

    Does there need to be more funding for youth programs?

    There needs to be more funding for climbing in general! Is that realistic? It would be nice if it were a nationally funded sport. It would take a lot of pressure off of the people going to Worlds, and the people competing at Nationals, and even just the kids who are interested in Youth programs in general. Not even just the youth -- the Open team, they have a lot of struggles with competing too, because it’s expensive.

    -- just to get there --

    And we get no funding! It’s expensive for the uniform, getting there, the hotels -- it really adds up. That’s detrimental to the sport as well.

    Side question -- speed climbing. Silly or cool.

    Oh, speed climbing’s great! It’s fine for what it is. I mean, I never do it.

    It just looks so weird!

    It does, it looks funny.

    I can appreciate what they’re doing -- but at the same time, it looks goofy.

    Yeah. It’s not that I don’t have an appreciation for it. I totally understand why people do it. It’s not what I value in climbing. I’m a technical person, and I enjoy the beauty of climbing. Speed is beautiful in its own way, but... I don’t necessarily agree with it, for me. But I think that the fact that Canada is making its step forward in speed climbing is super positive, and I think it’s absolutely fantastic. It’s awesome.

    A little closer in time, there’s an effort underway to bring an IFSC World Cup to Toronto. Does that excite you?

    Will Toronto get an IFSC
    Bouldering World Cup in 2013?
    Oh yeah! It excites me a lot.

    Would you want to compete on home turf, and represent Canada?

    It would be nice if it were a lead World Cup but...

    Or would you want to travel?

    No! It would be nice to have it here, to bring family and even friends, let people know about it, but I think it will do a lot for the sport in Canada, especially to have it in the East... I think that’s going to be great, if that ends up happening. That would be cool for sure.

    All right. Home stretch. Personal topics...

    Yes.

    Canadian climbing power couple
    You’re going out with Eric Sethna?

    I am. Yes.

    You guys are like a Canadian climbing power couple. Discuss.


    [laughter] Some people say that. Yeah.

    You train with him, right?

    He’s in the co-op program at Waterloo in engineering. So when he’s on his co-op term, generally right now he comes to Toronto, and we train for the four months that he’s in Toronto together. And then, when he goes back to Waterloo, he’s on the Grand River Rocks team. Obviously our climbing is very... tied, like we climb a lot together, but not necessarily train together when he’s back at school.

    Are you guys competitive?

    [Laughs] We push each other. We have opposite strengths for sure. We play off each other’s strengths, we try to challenge each other as much as we can, it gets pretty funny sometimes. But it’s all fun. It’s all fun.

    He’s quite an accomplished climber in his own right, so --

    Absolutely -- he’s very strong. A very strong climber. I learn a lot from him. He teaches me a lot about my own climbing even, just about my style, and, you know, what kind of techniques are easiest for me, what makes things harder. I’ve learned a lot from him in climbing. I think I’ve learned more from him in climbing than I had been for -- it’s really positive, our relationship around climbing.

    Iyma and Eric climbing together in Atlanta

    I’d like to talk about your longer term goals. Career interests, for example. What do you want to be ‘when you grow up’?

    In terms of what I want to be, I’ve always had a struggle with that. I’ve always liked everything, that I kind of do, so it’s been hard. I’m not necessarily really great at one thing, which can make it harder at some points in time. I tell people that, and they’re like ‘oh you should just be happy that you’re not only good at one thing’ and that’s true, but it’s very hard to pick and choose what area I want to go into.

    I’m looking into a program at Laurier, that is based on anthropology and psychology and English. Which are my three main interests at the moment. I love writing, and I love psychology. We’ll see where that takes me -- I’m pretty open to switching career paths, but in terms of where climbing fits into that -- when I was a kid it was ‘I’m going to be a professional climber!’

    Many elite athletes face a choice...

    -- between pursuing that --

    And school. Where do you...

    Travel in the future?
    photo: Iyma Lamarche
    I definitely want to go to university. But I may end up taking a year or two to just climb. I definitely need it. I think that it would do a lot for me, to keep climbing in my life. I mean, climbing will always be in my life, but just to really strengthen that.

    But -- in terms of do I want to be a professional climber? No. Probably not.

    Back to the most general question -- why do you climb? Tell me what climbing means to you.

    I started climbing because -- honestly, I think I started climbing because I had a propensity for it. But I’ve continued climbing, because it’s something for myself. I’m an introverted person, in terms of my own self-reflection... I don’t necessarily love team sports. But I’ve always been a very athletic person.

    Onward and Upward
    for Ms. Lamarche...
    Photo: France Lavoie
    Climbing embodies what I appreciate about athletics, as well as what I appreciate about being by myself, and solving my own problems for myself.

    It’s very personal for me. It means that I get to do a lot of self-reflection, and learn a lot about myself, through a sport. That’s a huge, huge motivating factor.

    And also, it’s just so fun!

    It’s so exciting. It’s a great sport. And it’s physically demanding, it’s mentally demanding, it’s a smart sport, you know.

    It requires thought, which I appreciate, and for me it means peace. It means focus. It’s a meditation for me to climb.

    We’ll finish things off with a lightning round. Short answer, first thing that comes to mind. Favorite movie?

    Ah - One second. The first thing that came to mind is Tarzan! But that’s actually accurate. I love Tarzan.

    Author or book? Michael Ondaatje. In the Skin of a Lion.

    Best music to climb to? Rap.

    Climbing shoe size? Four.

    Brand? Sportiva.

    Harness? Arcteryx.

    Chalk. Flashed, all the way.

    Do you use -- Actually liquid chalk, Mammut.

    Complete the sentence. Climbing makes you: Happy. That’s so generic!

    If you could only go to one event this year, it would be: Route Nationals.

    Favorite fruit? Strawberries.

    Excellent. Any other comments you’d like to share? 

    Mmmm. I don’t only eat healthy. I love Nutella.

    Nutella?

    It’s like, my vice. Serious. I can’t get enough of it! I don’t want people to think I’m some health freak. Well, that’s not a bad thing. But I love Nutella.

    Other interests?

    I love reading. I love literature. And I love writing.

    And I love family and people. I love spending time with them. I’m a people person, but I’m not. It’s weird.

    I’m introverted, but I love spending time with people. I’m an oddball a bit I think. But that’s ok -- we all are.

    Thank you so much for your time!

    That was fun!


     [LINK: Iyma discusses climbing and music. Footage courtesy Dale Sood]


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    Audio Bonus: Listen to Part 2 of Our Conversation


    [Use THIS LINK if the above doesn’t work in your browser]

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    Thanks and Acknowledgements

    Thanks of course to Ms. Lamarche for graciously enduring my random questions, and to her parents for their support.

    I also would like to thank the numerous people who generously consented to the use of their photographs and footage for this interview, including: Gail Adamson, Dennis Barnes, Nic Charron, Aaron Eden, Pam Eveleigh, G6 Climbing, Will Hummel, Iyma Lamarche, France Lavoie, Mike Makischuk, Meagan and Aidas Odonelis of (Ruby Photography), Dale Sood, Matthew Tee, and Lauren Watson.

    Going for it!
    Photo: Nic Charron

    Please share this post if you liked it!!

    See Also

    Onward and Upward (Iyma Lamarche’s blog)
    Iyma on Twitter
    IFSC Competitor Record: Iyma Lamarche

    Other thematically related pieces:
    My series of posts on competing at the Tour de Bloc
    Interview with Rock Oasis’ Founder and President
    Profile: Justin Readings, Downhill Skateboarder