Martin Luther King’s 'I Have a Dream' Speech Should Belong to Everyone, not SONY

MLK orating Aug. 28, 1963
People around the world have been marking the 50th anniversary of Martin Luther King’s I Have a Dream speech.

What I find absurd is that the King speech — one of the most important civil rights speeches in history — is under copyright in the U.S. and will be so until the year 2038.



[LINK: MLK I Have a Dream speech]

Free at last, free at last? Nope. Pay a licensing fee to use it in its entirety. Want to listen to the whole 17 minutes, legally? Shell out $20 for the DVD. Pay out enough money, and you can use the speech in an advertisement like Alcatel did in 2001...




[LINK: Alcatel I Have a Dream ad]

The speech should be in the public domain. It belongs to all of us. Yes, I understand the desire to keep anyone from misappropriating the text. But I think a larger social good comes from people being able to access, share, and interpret the text in their own way. The content transcends.

P.S. SONY is the current copyright enforcer. SONY! [I believe the King family retains ownership of the copyright itself]

More reading
Why MLK’s 'Dream' Is So Hard to Find Online [National Journal]
‘I Have a Dream’ speech still private property [Washington Post]

Liona Boyd — The Toronto Song! Cheese or Magic?

There’s been some harsh criticism levelled at Liona Boyd’s newly released tune celebrating our city, The Toronto Song!, premiering at the start of this year’s Taste of the Danforth festival.



Torontoist calls the treacly melody “bizarre.” Spacing magazine describes it as “maybe the most soul-less piece of schlock ever produced.” Other online commenters use the adjectives surreal, embarrassing, lame, and awful.

I say, stuff it, haters.

Liona Boyd: so in love with Toronto
Boyd’s work here is so earnest I can’t bring myself to dislike it; my usual jaded cynicism is defeated by the video’s wholesome sincerity. Yes, the song is hokey and saccharine. But that’s how these songs are supposed to be.

It’s meant for families and tourists. It’s meant to welcome strangers and embrace us all.

Compare past songs with similar intents, and you’ll find they share a penchant for wide-eyed boosterism:
Even Let’s Go to the Ex, which has that catchy jingle, is super corny.

Just like these other 'anthems', Boyd’s song reflects a certain time and place, and conveys a relentlessly enthusiastic perspective about Toronto. And perhaps one day we’ll look back and laugh together.

Listen to: Liona Boyd being interviewed about the song on 680 News (To download: right-click --> save as; MP3)

See also: Ed Keenan’s reaction.

Bonus links

What would Google Maps for Toronto look like in 1858?

It amuses me to present the following zoomable, scrollable online version of the 1858 Boulton Atlas of the City of Toronto and Vicinity, surveyed and compiled by W.S. and H.C. Boulton.

Scroll around, and zoom in & out using your mouse—just like you would in Google maps!

View the map in full page mode here.



I’m not sure how useful this is as a historical tool, but it merits at least 30 seconds’ worth of hey this is neat. Try your scroll wheel! (Sorry iPad users; this demo requires a full featured browser)

Thanks go to Carrie Martin for volunteering to help stitch this together and putting up with my nattering edits.

[Note: if you’re into historical maps, you might want to check out my larger projects:


Update: Media Coverage

This post generated a fair amount of online discussion and coverage. Here’s a sample of the chatter:
and a mention on the CBC Metro Morning show:




The Background Story

Earlier this spring, I made an online gallery of the Boulton Atlas, a set of 30 detailed map plates of Toronto created in 1858 by WS Boulton.

But I wasn’t entirely satisfied with the way it was presented. Although I created a key map to help users, I still found it awkward to look up an individual plate.

I wanted to make a composite version of the Atlas—that is, to stitch together all of the plates to form a super-map of the entire city.

Of course I’m not the first person to have this notion. In 2009 E.R.A. Architects created a huge wall-map version for their Harbourfront exhibit, Found Toronto.

I asked the kind folks at E.R.A. if they still possessed the original file from the exhibit, and if I could acquire it to put online. They were extremely helpful, and graciously took the time to search for it, but unfortunately, all they had left on their system was a low resolution copy.

Similarly, a composite was done for the book Historical Atlas of Toronto by Derek Hayes, but the resolution was scaled down (as it only needed to fit in a coffee-table size book) and all the useful detail was lost.

So, I decided to recreate my own stitched-together-version. Lacking a computer with sufficient horsepower, I inveigled my friend Carrie to help me out — she actually did the labour. Thanks again Carrie! [A small nod also goes to the several others who volunteered to assist]

The resulting image is modestly hefty—24,108 x 11,405 (about 275 megapixels) in size.

Challenges

There were some unavoidable issues and compromises.

The Boulton maps are each lithographed onto separate physical plates. Although they are ostensibly all drawn at the same scale, they are not exactly so (at least not with modern precision in mind). As well, the physical plates have aged differently depending on their individual exposure to light and air, resulting in colour contrasts between plates. Finally, the digital scans to which I had access were not all at the same scale (major pain in the neck!).

As a result, the stitching is far from seamless. Imagine putting together a puzzle where the pieces don’t actually fit together.

We tried our best to preserve alignments where possible, but (deliberately) sacrificed accurate placement along certain streets/seams. Subtle changes in scan orientation wind up being grossly magnified when trying to stitch together multiple plates.

In my view the sole truly egregious problem is just east of Carlton and Parliament; the street formerly known as Elm gets semi-obliterated; everything else is ‘close enough’. Queen and (the modern) College St., being the two horizontal seams, suffer the most. Meanwhile several north/south streets (e.g. Yonge) are allowed to wax and wane in width (to a degree that some may find disturbing) in order to force neighbouring streets to align correctly.

I’m comfortable with the minor distortions introduced; it’s a lot harder than it looks! If you think you can do a better job, you’re welcome to download the plates and try it yourself. Anyway, please blame Carrie for any errors (haha).

The scan images are courtesy of the Toronto Public Library: 912.71354 B594 1858.

Enjoy!

[personal aside to any geographers / cartographers out there: Yes, I know this should properly be done as some kind of layer in ArcGIS, then re-made into new map tiles, for browsing via open street maps or whatever, which would allow all kinds of interesting data overlays etc. You are cordially invited to invest the effort to do so. I’ll probably get around to it, if and when zoom.it ceases working.]

Incredible zoomable high-resolution panorama of Tokyo

My friend Elise sent me a link to this eye-popping 360° panoramic photo of Tokyo. It’s 150 gigapixels and zoomable. Best viewed in full resolution mode (not in the tiny version in this post):


[LINK]

Is this cool or what?!

[The reason she sent me the link is because I’m trying to put together a much simpler zoomable map of the 1858 Boulton Atlas of the City of Toronto]

More info: io9 spoke with Jeffrey Martin, the creator.